Animation Studies Journal
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16 June 2024Steven Malliet, John Buckley, Guido Devadder et al. – Expanded Memories: Artistic Experiments into Hybrid Analogue-Digital Animation
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16 June 2024Sergei Glotov – Yefim Gamburg’s Passion of Spies: Parody in Soviet Animation
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16 June 2024Daniel Johnson – “The Emotions that Get Stuck in Your Throat”: Expressivity in Speech, Script, and Sound in Japanese Animation
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11 December 2023Myria Christophini – Animating in British Communities During the Lockdown
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5 December 2023Hannes Rall and Emma Harper – Re-inventing Shakespeare’s Pericles, Prince of Tyre for Immersive Animation: A Practice-oriented Case Study
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4 December 2023Michelle Ann Abate – Hogan’s Alley in the Enchanted Forest: R. F. Outcault’s The Yellow Kid and Walt Disney’s Dopey
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1 December 2023Li Guo – Toward a New Media Ecology: Aesthetic Experiments in Post-Socialist Chinese Animated Documentaries
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20 June 2023Anastasiia Gushchina – Towards a Materialist Theory of Animated Documentary
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20 June 2023JS Wu – Hand of Artist, Voice of Griot: A Poetics of African Animation in the Films of Jean-Michel Kibushi
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13 December 2022Elena Altheman – Adventure Time’s World-Building: Analyzing Its Opening Title Sequence and the Mobile Map
Animation Studies 2.0
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30 December 2024Unleashing the Potential of Virtual Production in Higher Education: Lessons learned from the VPSN project
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27 December 2024Review of Animation (2019), edited by Scott Curtis
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23 December 2024A Narrative-driven Approach to Staging Environments for the 360-Degree Animation Coffin Room (2024)
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18 December 2024Exploring Social Issues Through 360-Degree Animation in The Making of Coffin Room (2024)
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10 December 2024The Medium has Metamorphosed
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3 December 2024Visual Metamorphosis and the Struggle for Subjectivity in Kon Satoshi’s Paprika (2006)
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26 November 2024Metamorphosis in Pom Poko (1994)
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19 November 2024Visual metamorphoses and environmental thought in contemporary animation
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13 November 2024Corrupting the Cartoon: How Eisenstein’s Plasmatic Can Be Used For Evil
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5 November 2024What if Gregor Samsa awakes in Bogotá? A collaborative work on an ever-transforming story
