Animation Studies Journal
- Elena Altheman – Adventure Time’s World-Building: Analyzing Its Opening Title Sequence and the Mobile Map
- Rea Amit – The Legend of Prince Rama and the Emergence of an Indian Animé: A Japanese Mediation of the Sanskrit Epic
- Giuseppe Gatti – Notes on Transnational Animation and the Pokémon Culture in South Park’s “Chinpokomon”
- Sandeep Ashwath – Mythical Past, Animated Present
- Emmett Redding – From Zeman to Gilliam: The Evolution of Mystimation
- Kristian Jared Robinson – Between a “Rock” and a Hard Place: The Hybridization of Analog and Digital in The Iron Giant
- Pedro Serrazina – Animation, Gentrification and Social Experience
- Ole Christoffer Haga – Film Style in Cinematic VR
- Sara Álvarez Sarrat – Innocent and Invisible: Women Behind Bars in Animated Documentaries
- Elizaveta Shneyderman – Parameterization: On Animation and Future Corporealities
Animation Studies 2.0
- Elena Altheman – Adventure Time’s World-Building: Analyzing Its Opening Title Sequence and the Mobile Map
- Rea Amit – The Legend of Prince Rama and the Emergence of an Indian Animé: A Japanese Mediation of the Sanskrit Epic
- Giuseppe Gatti – Notes on Transnational Animation and the Pokémon Culture in South Park’s “Chinpokomon”
- Sandeep Ashwath – Mythical Past, Animated Present
- Emmett Redding – From Zeman to Gilliam: The Evolution of Mystimation
- Kristian Jared Robinson – Between a “Rock” and a Hard Place: The Hybridization of Analog and Digital in The Iron Giant
- Pedro Serrazina – Animation, Gentrification and Social Experience
- Ole Christoffer Haga – Film Style in Cinematic VR
- Sara Álvarez Sarrat – Innocent and Invisible: Women Behind Bars in Animated Documentaries
- Elizaveta Shneyderman – Parameterization: On Animation and Future Corporealities