- 11 August 2026Performances of Animative Embodiment: Unbound Bodies Upon an Everyday Stage
- 11 August 2026Towards a Theory of Player Character Animation Performativity in Video Game Narratives
- 11 August 2026Beyond Representation: Reimagining Shahnameh in Abstracted Forms of Animation
- 11 August 2026Finding the voice: Tensions and complexities of animating anonymous queer Hongkongers
- 16 June 2024Expanded Memories: Artistic Experiments into Hybrid Analogue-Digital Animation
- 16 June 2024Yefim Gamburg’s Passion of Spies: Parody in Soviet Animation
- 16 June 2024“The Emotions that Get Stuck in Your Throat”: Expressivity in Speech, Script, and Sound in Japanese Animation
- 11 December 2023Animating in British Communities During the Lockdown
- 5 December 2023Re-inventing Shakespeare’s Pericles, Prince of Tyre for Immersive Animation: A Practice-oriented Case Study
- 4 December 2023Hogan’s Alley in the Enchanted Forest: R. F. Outcault’s The Yellow Kid and Walt Disney’s Dopey
Animation Studies Journal
Animation Studies 2.0
- 15 October 2026Animating Pastel: Material Transformation and Animism
- 4 June 2026From Patagonia to a Galaxy Far, Far Away: “Lociversality” and Indigenous Futurity in In the Stars (2023)
- 28 May 2026Latin American Animation: A Singular Way of Seeing the World
- 21 May 2026Women’s Craft and Political Resistance in Como alitas del chincol (2002)
- 19 May 2026Transnational impact of South American dubbing monopoly of Disney classics
- 14 May 2026Animated Plant Life beyond the Background in Another World 世外 (2025)
- 7 May 2026Stereotyped Portrayals of Chinese Indonesian Characters in Animation
- 5 May 2026Surface and Structure in The Legend of Hei (2019)
- 1 May 2026Hybrid Ink-Wash and the New Wave of National Style in Nobody 浪浪山小妖怪(2025)
- 29 April 2026The Development of Early Chinese Animation Through Entertainment, Education and Ideology