Animation Studies Journal
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11 August 2026Performances of Animative Embodiment: Unbound Bodies Upon an Everyday Stage
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11 August 2026Towards a Theory of Player Character Animation Performativity in Video Game Narratives
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11 August 2026Beyond Representation: Reimagining Shahnameh in Abstracted Forms of Animation
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11 August 2026Finding the voice: Tensions and complexities of animating anonymous queer Hongkongers
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16 June 2024Expanded Memories: Artistic Experiments into Hybrid Analogue-Digital Animation
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16 June 2024“The Emotions that Get Stuck in Your Throat”: Expressivity in Speech, Script, and Sound in Japanese Animation
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16 June 2024Yefim Gamburg’s Passion of Spies: Parody in Soviet Animation
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11 December 2023Animating in British Communities During the Lockdown
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5 December 2023Re-inventing Shakespeare’s Pericles, Prince of Tyre for Immersive Animation: A Practice-oriented Case Study
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4 December 2023Hogan’s Alley in the Enchanted Forest: R. F. Outcault’s The Yellow Kid and Walt Disney’s Dopey
Animation Studies 2.0
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4 June 2026From Patagonia to a Galaxy Far, Far Away: “Lociversality” and Indigenous Futurity in In the Stars (2023)
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28 May 2026Latin American Animation: A Singular Way of Seeing the World
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21 May 2026Women’s Craft and Political Resistance in Como alitas del chincol (2002)
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19 May 2026Transnational impact of South American dubbing monopoly of Disney classics
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14 May 2026Animated Plant Life beyond the Background in Another World 世外 (2025)
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7 May 2026Stereotyped Portrayals of Chinese Indonesian Characters in Animation
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5 May 2026Surface and Structure in The Legend of Hei (2019)
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1 May 2026Hybrid Ink-Wash and the New Wave of National Style in Nobody 浪浪山小妖怪(2025)
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29 April 2026The Development of Early Chinese Animation Through Entertainment, Education and Ideology
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23 April 2026Animated poetry in Afrikaans: independent animation production and the role of genre